Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Hermann Volz
Tandelndes junges Paar vor der sitzenden schlafenden Grobmutter in schwabischer Stube

ID: 87456

Hermann Volz Tandelndes junges Paar vor der sitzenden schlafenden Grobmutter in schwabischer Stube
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Hermann Volz Tandelndes junges Paar vor der sitzenden schlafenden Grobmutter in schwabischer Stube


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Hermann Volz

painted Das kleine Katzchen, signiert und datiert H. Volz Munchen in 1858  Related Paintings of Hermann Volz :. | Self-portrait | Philip II in Armour | Deer in the Woods II, 1912 | vagen till golgata | esbjorn med den har skall jag fiska och med den har skall jag valla korna |
Related Artists:
bouillon
Pierre Bouillon (1776 - October 15, 1831) was a French painter and engraver. Born at Thiviers, he studied with the Academie-trained history painter Nicolas-Andre Monsiau. He was awarded the grand prize of the Institut de France in July, 1797. His drawing of Laocoön and His Sons was the basis of Charles Clement Bervic's celebrated print of the statue
Tom Mostyn
British 1864-1930
Callisto Piazza
(1500-1561) was an Italian painter. Callisto, a member of the Piazza family of painters, was born in Lodi, Lombardy. In 1523 he was working in Brescia. His first dated and signed work is from the following year, and shows a typical Brescian style. This style was then emerging, and included artists such as Romanino and Moretto. Piazza shows influences from contemporaries such as Dosso Dossi and Ludovico Mazzolino of the Ferrarese school, as well as Giovanni Agostino da Lodi. In 1526-1529 Piazza worked in Val Camonica, at Erbanno, Borno, Breno, Esine and Cividate Camuno. In 1529 he returned to his native Lodi where he formed a workshop with his brothers Cesare and Scipione (died 1552). In 1538, while in Crema, he married the noblewoman Francesca Confalonieri. Later Callisto moved to Milan, where he received numerous commissions, such as the decoration of the San Girolamo chapel in Santa Maria Presso San Celso (1542); the decoration of the refectory of the convent of Sant'Ambrogio (1545); the frescoes for the Saletta Negra in the Castello Sforzesco; and the decoration of the Simonetta chapel in San Maurizio al Monastero Maggiore (1555), largely executed with the assistance of his son Fulvio. He also worked in Lodi at the Incoronata (1454), Novara, at the Abbey of Chiaravalle and other areas of Lombardy.






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